Kill Bill - Volume 2 ((LINK))
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Kill Bill: Volume 2 is a 2004 American neo-Western martial arts film written and directed by Quentin Tarantino. It stars Uma Thurman as the Bride, who continues her campaign of revenge against the Deadly Viper Assassination Squad (Lucy Liu, Michael Madsen, Daryl Hannah, and Vivica A. Fox) and their leader Bill (David Carradine), who tried to kill her and her unborn child.
Elle arrives at Budd's trailer and kills him with a black mamba hidden within the money for the sword. She calls Bill and tells him that the Bride has killed Budd and that she has killed the Bride, using the Bride's real name: Beatrix Kiddo. As Elle exits the trailer, Beatrix ambushes her and they fight. Elle, who was also taught by Pai, taunts Beatrix by revealing that she killed Pai by poisoning his favorite meal in retribution for him plucking out her eye after she called him \"a miserable old fool\". Enraged, Beatrix plucks out Elle's remaining eye and leaves her screaming in the trailer with the black mamba.
Volume 2 attracted more female theatergoers than Volume 1, with 60% of the audience being male and 56% of the audience being men between the ages of 18 to 29 years old. Volume 2's opening weekend was the largest to date for Miramax Films aside from releases under its arm Dimension Films. The opening weekend was also the largest to date in the month of April for a film restricted in the United States to theatergoers 17 years old and up, besting Life's 1999 record. Volume 2's opening weekend was strengthened by the reception of Volume 1 in the previous year among audiences and critics, abundant publicity related to the splitting into two volumes, and the DVD release of Volume 1 in the week before Volume 2's theatrical release.[9]
The United States does not have a DVD boxed set of Kill Bill, though box sets of the two separate volumes are available in other countries, such as France, Japan and the United Kingdom. Upon the DVD release of Volume 2 in the US, however, Best Buy did offer an exclusive box set slipcase to house the two individual releases together.[12]
At the 2006 San Diego Comic-Con International, Tarantino stated that, after the completion of Grindhouse, he wanted to make two anime Kill Bill films: an origin story about Bill and his mentors, and another origin starring the Bride.[22][23] Details emerged around 2007 about two possible sequels, Kill Bill: Volume 3 and Volume 4. According to the article, \"the third film involves the revenge of two killers whose arms and eye were hacked by Uma Thurman in the first stories.\" The article adds that the \"fourth installment of the popular kung fu action films concerns a cycle of reprisals and daughters who avenge their mother's deaths\".[24] In 2020, Vivica A. Fox, who portrayed Vernita Green in the first film, suggested original actress Ambrosia Kelley would reprise her role as the grown up Nikki in the film, expressing interest in Zendaya being cast in the role if Kelley would be unable to return.[25]
In December 2012, Tarantino said there would \"probably not\" be a third film.\"[29][30] However, in July 2019, Tarantino said that he and Thurman had talked again about a possible sequel, and added \"If any of my movies were going to spring from my other movies, it would be a third Kill Bill.\"[31] In December 2019, Tarantino said he had spoken to Thurman about an \"interesting\" idea for a new film: \"It would be at least three years from now. It is definitely in the cards\".[32] In June 2021 Tarantino stated that the potential film would take place 20 years following the original volumes, and was excited about the possibility of Thurman and her daughter Maya Hawke playing the Bride and B.B. respectively. He also noted the possibility of Elle Driver, Sofie Fatale, and Gogo's twin sister Shiaki also appearing in the film.[33] Later that month, Tarantino said that none of the potential sequels or prequels had come to fruition, due to his reluctance to take on more Kill Bill films following the fatigue he endured in the making of the first two volumes.[34]
The movie opens with a long closeup of The Bride (Uma Thurman) behind the wheel of a car, explaining her mission, which is to kill Bill. There is a lot of explaining in the film; Tarantino writes dialogue with quirky details that suggest the obsessions of his people. That's one of the ways he gives his movies a mythical quality; the characters don't talk in mundane everyday dialogue, but in a kind of elevated geekspeak that lovingly burnishes the details of their legends, methods, beliefs and arcane lore.
The Bride of course improbably survived the massacre, awakened after a long coma, and in the first film set to avenge herself against the Deadly Vipers and Bill. That involved extended action sequences as she battled Vernita Green (Vivica A. Fox) and O-Ren Ishii (Lucy Liu), not to mention O-Ren's teenage bodyguard Go-Go Yubari (Chiaki Kuriyama) and the martial arts killer team known as the Crazy 88.
The training with Pai Mei, we learn, prepared The Bride to begin her career with Bill (\"jetting around the world making vast sums of money and killing for hire\"), and is inserted in this movie at a time and place that makes it function like a classic cliffhanger. In setting up this scene, Tarantino once again pauses for colorful dialogue; The Bride is informed by Bill that Pai Mei hates women, whites and Americans, and much of his legend is described. Such speeches function in Tarantino not as long-winded detours, but as a way of setting up characters and situations with dimensions it would be difficult to establish dramatically.
In the action that takes place \"now,\" The Bride has to fight her way past formidable opponents, including Elle Driver (Daryl Hannah), the one-eyed master of martial arts, and Budd (Michael Madsen), Bill's beer-swilling brother, who works as a bouncer in a strip joint and lives in a mobile home surrounded by desolation. Neither one is a pushover for The Bride -- Elle because of her skills (also learned from Pai Mei), Budd because of his canny instincts.
The Bride travels to Acuna, Mexico and meets the man who raised Bill, Esteban Vihaio (Michael Parks). She then gets Bill's whereabouts and when she arrives to take him out, she is shocked to find her daughter is still alive! Its a classic Tarantino face off with the Bride and Bill discussing their shared journey and how things got so out of control for them. In the end, The Bride gets her ultimate revenge on the man who made her the unstoppable master killer she became.
Parents need to know that they should exercise the strongest possible caution in deciding whether this movie is appropriate for their families, even for those over 17. This movie is an outrageous and over the top story about people who kill other people for money and for pure enjoyment. It is extremely violent with graphic and exceptionally explicit fight scenes. There are many horrifying images including a squashed eyeball, a badly scarred prostitute, and a desiccated corpse. Many characters are killed. Characters use extremely strong language and they drink and smoke.
As Tommy walks away, the two kiss, and Bill takes his seat at the bride's side. Moments after, the four members of the Deadly Viper Assassination Squad enter the building, and kill all those who were present.
The Black Mamba bites Budd several times on the face and its poison kills him within 10 minutes as Elle describes the black mamba's poison to him in his final moments. She regrets that Beatrix supposedly met her end at the hands of someone like him.
\"Kill Bill: Volume 2\" was released in theaters on April 16, 2004. It was originally scheduled to be released on February 20, 2004 but was rescheduled. \"Variety\" posited that the delay was to coincide its theatrical release with \"Volume 1\"'s release on DVD.[2] In the United States and Canada, \"Volume 2\" was released in 2,971 theaters and grossed $25.1 million on its opening weekend,[3] ranking first at the box office and beating fellow opener \"The Punisher\". \"Volume 2\"'s opening weekend gross was higher than \"Volume 1\"'s, and the equivalent success confirmed the studio's financial decision to split the film into two theatrical releases.[4] \"Volume 2\" attracted more female theatergoers than \"Volume 1\", with 60% of the audience being male and 56% of the audience being men between the ages of 18 to 29 years old. \"Volume 2\"'s opening weekend was the largest to date for Miramax Films aside from releases under its arm Dimension Films. The opening weekend was also the largest to date in the month of April for a film restricted in the United States to theatergoers 17 years old and up, besting \"Life\"'s record in 1999. \"Volume 2\"'s opening weekend was strengthened by the reception of \"Volume 1\" in the previous year among audiences and critics, abundant publicity related to the splitting into two volumes, and the DVD release of \"Volume 1\" in the week before \"Volume 2\"'s theatrical release.[5]
It's not that his enthusiasms aren't genuine. But there are two problems: Even at Tarantino's most entertaining, you're always aware of how much work has gone into putting together the genres and pop-culture references that dot his movies. They never have the feeling of something that just popped out of his brain; it's as if they've been planted with the sort of deliberateness that kills spontaneity. (At times, Tarantino seems as deliberate a filmmaker as Clint Eastwood, if nowhere near as plodding.)
It might surprise some people that the violence in \"Vol. 2\" is relatively discreet. When assassins charge into the church to kill the Bride and her wedding party, the camera stays outside. But there are scenes with Tarantino's unfortunate taste for sadism, particularly the confrontation between the Bride and Daryl Hannah's one-eyed Elle Driver. (It's hard to get people who don't like action movies to understand that what audiences are responding to in most of them is not physical violence but the kinetic thrill of speed and movement. In Tarantino, though, the emphasis has always been on physical pain.) 153554b96e
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