Kindred Essay Topics
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Human ConditionAs Dana soon discovers, the reality of slavery is even more disturbing than its portrayal in books, movies, and television programs. Before her journey into the past, Dana called the temp agency where she worked a \"slave market,\" even though \"the people who ran it couldn't have cared less whether or not you showed up to do the work they offered.\"This turns out to be an ironic contrast to life at the Weylin plantation, where a slave who visits his wife without his master's permission is brutally whipped. Perhaps a more painful realization for Dana is how this cruel treatment oppresses the mind. \"Slavery of any kind fostered strange relationships,\" she notes, for all the slaves feel the same strange combination of fear, contempt, and affection toward Rufus that she does.At first she has difficulty comprehending Sarah's patience with a master who has sold off three of her children. Likewise, she observes that Isaac Greenwood \"was like Sarah, holding himself back, not killing in spite of anger I could only imagine. A lifetime of conditioning could be overcome, but not easily.\"\"After being beaten following her attempt to run away, however, Dana is tormented by doubts about her own resistance: \"Why was I so frightened nowfrightened sick at the thought that sooner or later, I would have to run again ... I tried to get away from my thoughts, but they still came. See how easily slaves are made they said.\"In the end, however, Dana realizes that she cannot bring herself to accept slavery, even to a man who would not physically hurt her. \"A slave was a slave. Anything could be done to her,\" Dana thinks as she sinks the knife into Rufus' side.Choices and ConsequencesThe whole reason behind Dana's travels into th...... middle of paper ......something that didn't even have a name. Some matching strangeness in us that may or may not have come from being related.\"Her relationship with Kevin is based on a similar sense of shared difference. When they first meet, Dana thinks he \"was as lonely and out of place as I was.\" As she gets to know him, she understands that this loneliness makes him \"like me a kindred spirit crazy enough to keep on trying.\" On the plantation, Dana's closest friends are people who are similarly alienated from the slave community: Carrie because of her muteness, and Alice because of her role as Rufus' mistress.Returning home does not cure Dana and Kevin of feeling out of place; it takes them a while to readjust to the twentieth century. Again, however, this alienation brings them together: \"It was easy for us to be together, knowing we shared experiences no one else would believe.\"
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When I scan the titles I notice that many of the articles discuss time-travel, race, and gender. When you say \"lack of education of others,\" I assume that means racism and prejudice and those topics are discussed as well. Race and gender are both very big topics to address in a research paper. I'd recommend searching for a way to make that thesis statement slightly more specific. For example, if you were to write about Dana's relation to her own body that could embrace race, gender, and the prejudice of others in a more focused way. The article cited below may be useful to you and it is in the results list:
The following essay was written by Rodger Rak asa catalogue essay for the illustrated catalogue Color, Pattern &Plane: E. Martin Hennings in Taos, which accompanied a February 5 -November 1, 1986 exhibition at the Stark Museum of Art. The essay is reprintedwith permission of the Stark Museum of Art and without illustrations. Ifyou have questions or comments regarding the essay, please contact the StarkMuseum of Art directly through either this phone number or web address:
It was as a mural painter that Hennings experienced thefirst successes of his career. Now, it seems clear that his choice of vocationwas not an accident. Throughout his education and early career, he was inclose proximity to mural painting and muralists. After his graduation fromthe AIC, he joined a studio of commercial muralists in Chicago. Also, in1908 the AIC initiated a series of lectures, the Scammon lectures, whichbrought many of the leading artists and critics of the day to Chicago. Theirtopics were the new American aesthetic and public art in America. As theleading public art form, mural painting was a common lecture topic.
It is likely both men saw one another as kindred spirits.Hennings' later work, though, seems to indicate that he chose carefullywhat he took from the master. Von Stuck, like Hennings, was deeply interestedin the figure. Most of his figure paintings were on a large scale and showedthe whole figure. This seems to have spurred Hennings to a renewed studyof the figure and anatomy as evinced by drawings from the period. Like muchof the art of the American Renaissance, Von Stuck's figurative work reliedheavily upon antique themes and models for its inspiration. However, italmost always possessed a blatant eroticism and frequently portrayed actsof violence, tendencies which neither Hennings nor other American Renaissanceartists widely embraced. On occasion though, some of these elements didassert themselves in Hennings' later work. 153554b96e
https://www.iwra.ie/forum/general-discussion/the-book-of-il-mago-di-oz-download-in-italian
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